Evensong Suite for Flute, Clarinet, Bassoon and Piano

Total duration ca. 17 minutes (1999)
Published by Activist Music Publishing (ASCAP).
Commissioned in 1999 by St. Bede's Episcopal Church
in Mar Vista, California.
Six movement work: "Prelude," "Phos Hilaron,"
"Magnificat," "Nunc Dimittis," "Ascendit Deus,"
and "Postlude."
45 pages, 8.5" x 11".

Premiered in May 1999 in Los Angeles, CA.
by Brice Martin, flute; Charles Boito, clarinet;
Carolyn Beck, bassoon and Frank Basile, piano,
in the context of the Evensong evening prayer church service
for which it was composed.

Recorded in June 1999 by Brice Martin, flute;
Charles Boito, clarinet; Carolyn Beck, bassoon
and Frank Basile, piano.

Audio clips performed by Brice Martin, flute;
Charles Boito, clarinet; Carolyn Beck, bassoon
and Frank Basile, piano.


Notes from the Kelp

Phos Hilaron is featured on the 2007 Innova Recordings CD, Notes from the Kelp (innova 683). Click CD for more info.

View the first page
and hear a music sample
of any of the six movements:



1. Prelude
view score
2. Phos Hilaron
view score
3. Magnificat
view score
4. Nunc Dimittis
view score
5. Ascendit Deus
view score
6. Postlude
view score



Purchase this score

Score and parts available from Activist Music for $45.00.




The Evensong Suite was commissioned by St. Bede's Episcopal Church in Mar Vista CA., and it is a modal and very melodic set of six short pieces, each two to three minutes in length. Although it was composed specifically for an Anglican Evensong service, during which each movement precedes or follows a corresponding prayer or reading, the piece is equally effective when performed in a concert setting. Any of the six movements may be performed separately.

The Prelude opens the Suite in a pastoral mood, with a rising motive to reflect the Ascensiontide occasion for the piece. The Phos Hilaron evokes a slow and quiet glow, mirroring the beauty of the last vesper light of a setting sun. The Magnificat, traditionally the dramatic center of the Evensong service, uses strong opposing motives which refer to the mighty being cast down from their thrones and the meek being lifted up. Nunc Dimittis is a pensive lullaby which blossoms into contentment and inner light.

The Ascendit Deus was written to encourage generous donations during the Offertory for the Sunday after the Ascension (!), and in celebration of the Savior rising up, so do the lines of the music! Finally, the Postlude begins with a contemplative and noble chorale and makes references to motives and moods from the earlier Prelude and Magnificat, bringing the Suite to a triumphant conclusion.



Enjoy this video that artist Simon Kenevan made
of his process creating a pastel study for his painting 'Afternoon Sun':



D1. Prelude    
D2. Phos Hilaron
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Phos Hilaron
D3. Magnificat
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D4. Nunc Dimittis
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Nunc Dimittis
D5. Ascendit Deus
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Ascendit Deus
D6. Postlude
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