notes from the kelp

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…info about the music

Click on the blue music icon above to hear a clip from my bassoon sonata, “Of Breath and Touch.”

We are now on the fading end of a remarkable two-day wind storm. Gusts to 70 mph. And this morning, detritus everywhere, unexpected imports from far away. Had I been able to take a photo of this event without risking getting bonked on the head by heavy, dried-out projectile palm fronds 14 feet long shooting through the sky like missiles, I would have. I chose in favor of my head, this time.

On Sunday as we walked up the coastline with the wind pushing our backs, Charles and I were stunned by the visual clarity everywhere, and the incessant movement of the waves driving sideways across the ocean. The most beautiful effect is when the waves are blown back upon themselves as they charge the beach. Shore birds, including this little snowy plover above, were out poking around for their lunch and struggled to keep their balance.

A half mile later it was time to turn around, and simultaneously we realized the folly of our afternoon stroll. Our smiles turned to grimaces as the wind and the loose sand that came along with it for the ride smacked us hard in the face. It was a warm day, but the power of the air made my ears hurt by the time we found safe, still haven back in the house. No more windy walks here!

Today is very beautiful. The Santa Anas have melted from a bone-dry hurricane to an invigorating strong breeze, and now I’ll go outside to water the parched plants before beginning my composing for the day, invigorated, as well.
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There is tremendous peace in the moments over the ocean when daylight slips quietly from the sky. One reality is exchanged for something softer, painted with blues and pinks that weren’t there three minutes earlier. As I trod the sand, my eyes strain to see details laid before my feet and my skin is jolted by the unexpected warmth of the air when I turn the corner from one cove to the next.

Tonight there is a strong, choppy, rushing quality to the surf. One guy is out there for a final ride, alone, paddlesurfing with expert balance along the shoreline. Standing up on his board with a long oar, he catches a few decent waves for fun and I gaze out wishing I, too, was upright on the water rather than standing on the sand.

…listen
…info about the music

Click on the blue music icon above to have some of “Chakra Suite” accompany the paddleboarder in the center of this photo. I composed this piece using the beautiful ragas of Thakur Chakrapani Singh.

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…listen
…info about the music

Click on the blue music icon above to hear some of the first movement from my “Current Events” titled “Surge,” to accompany these photos.

Not long ago, after a Pacific storm similar to the one we had here this weekend, I walked down the path to the shore and was greeted with this saddest of sights. It’s not an uncommon occurrence; each winter a number of unlucky boats are ripped from their moorings and are thrown with the roaring tide to a final resting place aground. I see these fallen soldiers once in a while here at Paradise Cove, and more frequently to the south of the wharf up in Santa Barbara. Those vessels live precariously in an area known to locals as “poor man’s harbor,” and bear the brunt of bad weather with varying degrees of success.

As a sailor who has spent a fair amount of time living aboard, it is always a jolt to my system to see such a carcass. This ketch was almost 40 feet; not an insignificant boat. I had seen her anchored off the coast for quite a while and yet never spotted her owners. Like a composer’s muses needing attention, so are these great floating beasts.

I stared at the sea through her gaping hull, and apologized.

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My name is Alex Shapiro, and I am a composer.

The world does not need any more blogs. Any pithy opinions that might erupt from me can already be found on wonderful sites like those listed in on the upper right-hand side of this page. Other personal and musical observations I stumble upon are safely nestled into the Essays pages on my own website. Just as composing is improvising in slow motion, my collection of brief writings is glacial-speed blogging. And since I’m supposed to spend my time writing music rather than writing about writing music, that pace suits me, and presumably my web-visitors, just fine.

But I decided recently that there is an aspect to my life so heart-wrenchingly beautiful that it should be shared, because there is not a single day that goes by when I don’t thank the universe for my great fortune.

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…info about the music

Click on the blue music icon above to hear a movement from my “Evensong Suite” titled “Phos Hilaron,” to accompany this photo of the bluffs looking northwest up the coastline.

I live in one of the most spectacular locations in the United States: Paradise Cove, in Malibu, California. A small indentation at the northern point of the Santa Monica Bay. The Bay defines one edge of Los Angeles; its beaches do their best to keep the city from oozing into the ocean.

Paradise Cove is home to some of the most compelling geology and tide pools and kelp beds and marine life and tides and swells and rips and vistas that one could ever hope for. It is filled with life and with ever-changing light and weather. Its tides shift constantly, and the water is never the same texture for very long.

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Click on the blue music icon above to hear a movement from my string quintet “Current Events” titled “Ebb,” paired with this photo of a lone snowy egret at an ebb tide here a few days ago.

When I’m not composing, I’m walking slowly along this beach, head down, carrying on quiet conversations with creatures and rocks and plant life. The thick, salt smell and the irregular rhythms of the waves help me solve whatever stubborn musical riddles eluded me moments earlier at my writing desk. When time permits, I guide my kayak far out to the placid kelp beds where I can float on slick lilypad-like boughs that strain toward the sunlight from their anchored roots. I peer closely at the leaves and the critters crawling on them; for a brief time I become another form of sea life and these waters are my true home. Occasionally I paddle out much further, with the hope of encountering sea lions, dolphins and bigger waves. And just last month, I became the proud owner of a magnificent, custom-designed 12-foot Hawaiian-style paddleboard that I’m anxious to take out on the water when it’s not hanging on my wall as a work of art. I’m looking for the right wetsuit; these waters are currently 58 degrees.

Recently I’ve gotten into the habit of sticking my camera into my jacket pocket before setting out on these neighborhood walks. There have been too many times when a remarkable sight made me wish I could immediately share it with others; thanks to the internet, now I can. And will.

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…info about the music

Click on the blue music icon above to hear an excerpt from the second movement of my “Sonata for Piano” as you view Paradise Cove looking southeast.

On a reasonably regular basis– my intention is at least every two or three days, and often daily– I’ll be adding my current photos to this page, some paired with some MP3s of excerpts of pieces of mine that I think might be good accompaniment. Instead of film scoring, I guess this is pixel scoring. If you’d like to know more about a piece, just click on the link. My hope is that the combination of the sounds and the visuals will translate from my life to yours, and this simple blog will create a shared smile. Oh, and I warn you: in addition to marine-related visions, you just may find a few cat photos, too. Cat blogging is alive and well. And not only on Fridays.

Welcome, and please don’t hesitate to drop a comment in the box.

Cat-abunga!

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